ALBUM REVIEW: Taali – ‘I Am Here’

"We have strong women in the family no question about it" states Taali's grandmother in the recorded track "For Michal"(about her great- great- great grandma's holocaust death) off the debut album I Am Here. A powerful statement that inform listeners what we need to know about Jewish contemporary pop singer Taali. New York native/L.A based songwriter and engineer shows she's an authentic artist as she incorporates her traditional Judaic culture, lineage, and identity into her work. The fifteen-track album itself is a spiritual journey of storytelling through inspiring lyrics. Her opening song "Release" is the right introduction that hooks an audience in

ALBUM REVIEW: The Japanese House – ‘Good at Falling’

Amber Bain - a.k.a. The Japanese House, has been not so quietly making a name for herself over the past 4 years. With an impressive collection of EP's and singles already under her belt, Bain has finally released her debut full length Good at Falling. The album continues to showcase the sound Bain has used the past four years to hone in on, a mix of synth and guitar that blends into a trance like indie pop that's impossible not to get lost in. Bain takes on the bulk of the songwriting weight for the Japanese House, but does get some

INTERVIEW: White Lies -Five Questions About ‘Five’

British synth-rock trio White Lies (Harry McVeigh, Charles Cave, & Jack Lawrence) have been recording and touring for the past decade. They've had their own share of supporting acts and headlining at venues. They have gained much love from all over as fans sing along their older hits to new favorites. Their fifth album Five is out now and B-Sides got the chance to chat with frontman Harry about the new album and the thrill performing it live. Harry you lived in San Francisco for awhile.  Did the new living environment on the West Coast or exposure to American life influence any

ALBUM REVIEW: Nina Nesbitt Impresses With Debut, ‘The Sun Will Come Up, the Seasons Will Change’

The twenty-four year old Scottish pop singer, Nina Nesbitt, has blossomed since her debut album Peroxide and is proud of her sophomore record The Sun Will Come Up, the Seasons Will Change from her new label Cooking Vinyl. The title is from her last track on the album, which the idea came from walking in London where she lived. Nesbitt explains the philosophical meaning behind the name; "It reminds people everything in life is temporary-- whether good or bad. Just be aware. It'll change." Nesbitt shares her latest creation to the world this month embarking on her next tour. Nesbitt describes her album

Top 10 Albums of 2018

It wasn't hard to find good music in 2018 as there were many artists pushing the boundaries in pop, hip-hop and rock. In a year of the "algorithm" artists, many artists sought inspiration from both the classics and the traditional approach to songwriting, to the modern use of technology for collaboration and taking advantage of the advances in technology to create sounds that were never-before heard. New artists made strong debuts in 2018, some of which made our year-end list, demonstrating that once again showed that the full-length format is not only just as strong as it was in the

ALBUM REVIEW: Courtney Barnett – ‘Tell Me How You Really Feel’

Given the amount of critical acclaim, and hype that has surrounded Courtney Barnett, it can be a little startling to realize her newest release "Tell Me How You Really Feel" is only her sophomore solo album. Her breakthrough 2015 debut album "Sometimes I Sit and Think, and Sometimes I Just Sit," dazzled fans and critics alike with her profound penchant for wordy, verbose lyricism, compared to none other than the king lyricist himself Bob Dylan. She followed it up in 2017 with a joint album alongside Kurt Vile, but her newest release see's her back in the driver seat, alone.

ALBUM REVIEW: Franz Ferdinand – ‘Always Ascending’

Since their last release almost five years ago, Franz Ferdinand return with a slightly altered lineup on Always Ascending, released February 9th.<!—more—> Not quite fifteen years since Franz Ferdinand made their international breakthrough with the catchy single “Take Me Out”, the band finds themselves in a much different musical atmosphere trying to catch the attention their debut attracted.  The danceable pop rock of the early 2000s, with its clean and crisp guitars and nerdy aesthetics, has certainly evolved into a more electronic territory as many bands from that era spent the last decade meticulously blending the genres with few enjoyable results.

ALBUM REVIEW: Wolf Alice – ‘Visions of a Life’

London based rock band Wolf Alice released their romantic and noisy second album Visions of a Life September 29th, displaying growth as a band and a step in the right direction from their 2015 debut, My Love is Cool. <!—more—> My Love is Cool debuted the quartet’s distinct sound as a mixture of pop rock and melodic folk style songwriting, but the band has fine tuned the sound and added a deeper contrast of many styles.  The two years between releases were used wisely by the band, intensive touring, organizing charity gigs for refugees, and also performing at a concert protesting the

ON-RADAR: The Begowatts – Grand Charade

I love good, midwestern rock n roll. Like really love it, almost as much as I love Iron Maiden, Snoop Dogg, or The Sex Pistols. There is just something inherently good about a John Mellencamp song, Ryan Adams lullaby, or Tom Petty (sob) cut. I also found that same Midwestern charm in bands like Husker Du and The Replacements. Just all around great songwriting with no pretensions. 15629

ALBUM REVIEW: The Killers – Wonderful, Wonderful

The Killers burst onto the scene in the early 00s with a fresh sound and approach with a hint to the past. Hot Fuss was a magical ride of 80s inspired pop riffs with a swanky songwriting ability that caused earworms in the brain. Sam’s Town went a little darker, a little deeper, but still with songs that cut to the core. Day and Age and Battle Born came and went, and now here we are still looking, I think, for that next Hot Fuss, which is most likely never going to happen. With a debut album as big as

ALBUM REVIEW: Odesza – ‘A Moment Apart’

Electronic duo Odesza stray little from their comfort zone with their third studio album A Moment Apart, and indeed continue to make comfortable, chill tracks.  Released September 8th, A Moment Apart offers insight into the experience and success that Odesza has gained since their 2012 debut. 15589

ON-RADAR: Junkyardfieldtrip

Lord knows that I am a sucker for sappy, heartfelt, acoustic, Americana. There is something about riding down a two-lane, winding, highway somewhere in bum-fuck Ohio that intersects small towns, villages, and lands with single stop lights for miles. Where there are still hardware stores not called Lowe’s or Home Depot, corner stores that sell bins of tootsie rolls and lollipops, and an actual church at the center of the main street. These towns are few and far between anymore, but there are still many that offer that longing of nostalgia that we all feel from time to time. People

ON-RADAR: Lunar Hand – ‘Magic Hour’ EP

Finding really truly unique pop music is becoming increasingly hard to do with many just taking a shock value angle rather than a musical one. Many are going back in time to the 50s and 60s for musical inspiration, but while unique to this time and place, is really just paying homage to things that have already been done. However, even with that slant on earlier forms of rock n roll, there are still bands that can put their spin on things. One such group is Lunar Hand, a trio of Southern California garage rockers that make moving, jumpy, and